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DTSTART;TZID=Australia/Sydney:20190507T180000
DTEND;TZID=Australia/Sydney:20190507T200000
DTSTAMP:20230706T205116Z
CREATED:20230703T030300Z
LAST-MODIFIED:20230706T205116Z
UID:10000148-1557252000-1557259200@www.taasa.org.au
SUMMARY:Illuminating Islamic Ceramics
DESCRIPTION:Illuminating Islamic Ceramics \nThe spread of the Islamic faith also facilitated its culture and art through the ancient world. Although Islamic art retains it overall character\, there are a great many traditions and local preferences that emerged over time. This meeting is focussed primarily on the ceramics of Iran (formerly Persia). Our guest speakers are Frances Brown\, former Victoria and Albert Museum guide and avid traveller and ceramic collector\, Ana Silkatcheva\, specialist in Islamic art and archaeology at the Nicholson Museum\, University of Sydney\, studying the link between the Islamic and Chinese ceramic trade and Margaret White\, ceramic enthusiast with an interest in the arts of West Asia who will look more closely at the art of architectural tiles. \nTAASA members and guests are invited to bring relevant pieces they would like to share and discuss. \nHow to Book: Email Margaret White at Margaret.artmoves@gmail.com Please make all bookings & payment by April 30. No refunds. \nHow to Pay: \n1. By Direct Debit (use “your name CSG 2” as reference)\nBSB: 012 003 Account Number: 2185 28414\nAccount Name: The Asian Arts Society of Australia \n2. Via this website using credit card or Paypal – see bookings button above right. \n3. By cheque made out to The Asian Arts Society of Australia\, and send to PO Box 996\, Potts Point NSW 2011. \n 
URL:https://www.taasa.org.au/events/illuminating-islamic-ceramics/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Ceramics Study Group (NSW),Study Groups
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00210_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20190212T180000
DTEND;TZID=Australia/Sydney:20190212T200000
DTSTAMP:20230706T211610Z
CREATED:20230704T102708Z
LAST-MODIFIED:20230706T211610Z
UID:10000161-1549994400-1550001600@www.taasa.org.au
SUMMARY:Animal Magic
DESCRIPTION:The representation of real or mythical animals has influenced the shape and decoration of ceramics in all parts of Asia. What is the significance of these motifs? Are they just pleasing decorative images drawn from nature or do they have symbolic or religious meaning? Did their meaning change over time and are there significant differences in the use of animal motifs across the Asian world? \nThese are some of the issues that we will discuss\, led by our guest expert panel. Jackie Menzies\, Emeritus Curator of Asian Art\, Art Gallery of NSW and TAASA President and Ann Proctor\, art historian with a particular interest in Vietnam will join John Yu in a panel discussion and examination of ceramic animal vessels and ornaments in all sorts of shapes and sizes\, old and new. \nTAASA members and guests are invited to bring relevant pieces they would like to share and Anchordiscuss. \nRefreshments provided. \nPlease RSVP by email to Margaret White (margaret.artmoves@gmail.com) and pay in advance via this website or by bank transfer.
URL:https://www.taasa.org.au/events/animal-magic/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Ceramics Study Group (NSW),Study Groups
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00190_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20180825T094500
DTEND;TZID=Australia/Sydney:20180825T130000
DTSTAMP:20230706T213256Z
CREATED:20230704T122354Z
LAST-MODIFIED:20230706T213256Z
UID:10000178-1535190300-1535202000@www.taasa.org.au
SUMMARY:Colours Symposium
DESCRIPTION:To coincide with the exhibition Local Colour: epxeriments in nature (UNSW ART + DESIGN Galleries 28 July – 22 September 2018)\, we are holding a morning session with five wonderful speakers to survey the pleasures of colour. \nSaturday 25 August 2018\, 9:45 – 1:00 pm\nUNSW ART + DESIGN\, Lecture Theatre EG02\, Oxford Street\, Paddington. \nPROGRAM\n9:.45 – 10:00 am Registration \n10.00 – 10.30 am Reds\nLiz Williamson\, Associate Professor\, UNSW Art & Design and curator of Local Colour: experiments in nature\, will speak on ‘reds’ sourced from flora and fauna\, focusing on the work of Indian artists and social enterprise groups in the exhibition. Her talk will include a brief overview of her research into natural dyes in Australia from when Phillip arrived in 1788 with cochineal bugs to the experiments with Australian plants that give a red dye. \n10:.30 – 11:00 am A two-part presentation on The Blues and Greens of Krishna and Indian raga Vasant ragini. \nJackie Menzies\, co-author of Dancing to the Flute\, Music and Dance in Indian Art (1997)\, will talk on a gem-like painting of Krishna that illustrates the melody (raga) most closely associated with spring and the festival of Holi\, ‘the festival of colours’. \nLet’s dance with colour: Bhupen Thakker\, a three-time NSW finalist in the Australian Poetry Slam\, winner of the NSW Poetry Sprint\, and 2016 Multilingual Poet of the year\, will recite some of his poems on Krishna and raga. \n11:00 – 11:30 am Tea break \n11:30 – 12:00 pm The Five Colours of Chinese Ceramics for Qing Imperial Ritual. Iain Clark\, independent researcher interested in late imperial and modern Chinese ceramics\, will discuss colour in a fascinating review of Chinese Imperial ritual and its ceramic vessels\, where colour has special significance. \n12:00 – 12:30 pm Japanese Blues \nDr Marianne Hulsbosch\, Honorary Senior Lecturer Visual Arts and Design Education\, The University of Sydney\, will examine how the socio-cultural significance of the colour blue has permeated Japanese artefacts from textiles to woodblock prints\, everyday items and even food. \n12.30 – 1.00 pm Curator’s tour of the exhibition \n1.00 – 5.00 pm Exhibition viewing at your leisure \nHow to Book: Email Chris Manning at bookings@taasa.org.au\, or phone Chris on 0412 686 025. Please make all bookings & payment in advance. No refunds. \nHow to Pay: \n1. By Direct Debit (use “your name Colours” as reference)\nBSB: 012 003 Account Number: 2185 28414\nAccount Name: The Asian Arts Society of Australia \n2. Via this website using credit card or Paypal – see bookings button above right. \n3. By cheque made out to The Asian Arts Society of Australia\, and send to PO Box 996\, Potts Point NSW 2011. \n 
URL:https://www.taasa.org.au/events/colours-symposium/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Exhibitions & Events
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00169_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20180220T180000
DTEND;TZID=Australia/Sydney:20180220T200000
DTSTAMP:20230706T220250Z
CREATED:20230704T162914Z
LAST-MODIFIED:20230706T220250Z
UID:10000201-1519149600-1519156800@www.taasa.org.au
SUMMARY:Trade Winds to Palembang
DESCRIPTION:Trade Winds to Palembang \nTracing trade wares through SE Asian entrepots \nMost people associate the China Trade with the East India Companies based in England and Western Europe. Yet most of the trade wares with which we are familiar travelled through the entrepots of Srivijaya based around Palembang in Sumatra\, very often in Malay and Indonesian ships. \nThis meeting is about that trade and the things that were traded – ceramics\, textiles\, metal wares and spices. Our guest experts are Melanie Eastburn\, Senior Curator\, Asian Art at the Art Gallery of NSW and Linda McLaren\, MA candidate\, University of Sydney (9th-14th century SE Asian ceramics found on shipwrecks and terrestrial sites). They join John Yu in a panel discussion on trade routes\, shipwreck cargoes and export ceramics of the time.\nTAASA members and guests are invited to bring relevant pieces they would like to share and discuss. \nRSVP: Margaret White at:Margaret.artmoves@gmail.com. \nPayment:\n1) Via this website – see bookings button above right \n2) By EFT to TAASA’s account:\nBSB: 012-003; Account no.: 2185 28414 (please indicate name plus ‘CSG’) \n3) Or cash at door
URL:https://www.taasa.org.au/events/trade-winds-to-palembang/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Ceramics Study Group (NSW),Study Groups
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00144_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20170819T101500
DTEND;TZID=Australia/Sydney:20170819T160000
DTSTAMP:20230706T033759Z
CREATED:20230704T174223Z
LAST-MODIFIED:20230706T033759Z
UID:10000217-1503137700-1503158400@www.taasa.org.au
SUMMARY:East-West Chic
DESCRIPTION:East-West Chic – A TAASA Symposium. 10.20am to 3.50pm\, Saturday 19 August \nA visually tantalizing arena of the continuing East-West exchange has been fashion. Across history\, different cultures and societies within Asia and Euro-America have shamelessly borrowed motifs and styles to shape their own image of what is chic\, exotic or even socially and politically correct. Fabrics\, designs\, and techniques have been part of the rich exchange as individuals sought to make their own statements and distinguish themselves from prevailing norms. \nTAASA brings you a rewarding day on East-West Chic with five acclaimed speakers\, each of whom will address just one aspect of East-West interaction in shaping new styles of dress. A morning session will look at Southeast Asia with Professor Barbara Andaya presenting on dress styles at the court of Malay from the 17th century\, and Gael Newton discussing studio photographs that capture the fashion aspirations of the well-dressed across Southeast Asia. \nThe afternoon session will focus on China\, with noted China authority Professor Finnane contextualizing the Mao suit\, and Claudia Chan Shaw discussing the popular Chinese qipao\, as well as the recent luxurious fashion exhibition at the Metropolitan Museum in New York\, China through the Looking Glass. The session will conclude with new examples of East-West Chic in Hong Kong by practising artist Trish Flanagan. \nPROGRAM \n10.20 am: Welcome and introduction\, Jackie Menzies\, President of TAASA \n10.30 am: Exchanging Fashion: Cross-cultural Influences in SE Asia and Early Modern Europe – Barbara Watson Andaya. The circumnavigation of the globe in 1522 marked the beginning of a new chapter in global history\, ushering in a period of everincreasing cross-cultural contacts. While such contacts can be examined in many different contexts\, this presentation will focus on the ways in which trade between Europe and Southeast Asia fostered curiosity and emulation in clothing. While fashionable Europeans were intrigued by the unusual fabrics and ornamentation\, like feathers and tortoiseshell\, that Asia provided\, the demand for exotic textiles and jewellery from distant lands is similarly evident in the courts of Southeast Asia. In discussing these influences as they moved between Southeast Asia and Europe. and within Asia itself\, the presentation will argue that fashion became part of a network of knowledge’ that helped to provoke curiosity and interest in cultures and societies that might never be otherwise encountered. \n11.35 am: Camera Chic – Gael Newton. Surviving studio portraits capture the fashionable taste and aspirations of urban and regional centres across Southeast Asia from the late 19th century. Illustrated newspapers\, and later movie stills\, served to disseminate fashions globally\, resulting in local hybrid styles that filtered modernity through creative mixings of traditional and Western styles and tastes. Studio sitters reflected changing fashions and values when they donned their own or hired dress for their portraits\, as well as their individual aspirations to worldly success\, recognition and social caché. This talk will examine the revealing insights that Asian studio portraiture presents into the changing self-image of individuals\, the dynamics affecting groups and generations\, and the fusion of East and West evident in dress\, accessories\, and studio backdrops. \n12.15 – 1.15 pm LUNCH BREAK \n1.20 pm: Beyond the Mao Suit – Antonia Finnane. A persistent theme in writings on Chinese fashion is whether or not people in China all dressed the same as each other during the early decades of the People’s Republic of China. The term “Mao suit\,” which collapsed three or four varieties of styles\, sums up the general consensus on this question. Wasn’t this what everybody wore? But an enquiry into the origins of the term opens up a surprisingly rich history of textiles and apparel in Mao’s China. Technological change in fabric and clothing production and a sensitivity to the demands of international trade had some unanticipated consequences for domestic clothing. In direct and indirect ways\, as we shall see\, what people wore and what they liked to wear during the Mao years was shaped by China’s world context. \n2.10 – 2.30 pm AFTERNOON BREAK \n2.30 pm: East meets West in dress – Claudia Chan Shaw. This topic will embrace both the influence of Asian design and aesthetics on Western dress and the impact of Western ideas on Asian dress. The influence of Art Deco on the traditional Chinese qipao in the 20s and 30s will be explored\, along with a look at the recent ground-breaking exhibition\, China through the Looking Glass at the Metropolitan Museum of Art\, where designers like Yves Saint Laurent and John Galliano for Dior embraced Chinese themes in their Haute Couture collections. \n3.10 pm: Crafting post-digital fashion – Patricia Flanagan. Hong Kong has long been renowned as a gateway between East and West\, and now aided by digital tools\, cultural traditions\nare undergoing a revival. In the Hong Kong Umbrella protests of 2014 the Wearables Lab at the Academy of Visual Arts became a 24/7 workshop for the creation of political public art works for activism. In this talk\, Dr. Flanagan will present speculative and critical wearable artworks that Hong Kong artists produced in the years leading up to the protests and show how those skills were taken to the streets in radical and political fashion. The presentation will also feature Flanagan’s own artwork\, as she reveals the contemporary mash-up of craft traditions and digital fabrication in Hong Kong fashion East-West Chic. \n3.50 pm: Conclusion and refreshments. \nSPEAKERS\nBarbara Andaya\nProfessor Barbara Andaya is Professor and Chair of the Asian Studies Program at the University of Hawai’i and former Director of their Centre for Southeast Asian Studies. Her research and teaching specialisations include women and gender in early modern Southeast Asia\, and social issues in contemporary Southeast Asia. Her publications include The Flaming Womb: Repositioning Women in Southeast Asian History 1500-1800 (2006)\, the result of a Guggenheim Award in 2000. Her visit is supported by the Sydney Southeast Asia Centre.\nAntonia Finnane\nBased in the School of Historical and Philosophical Studies at the University of Melbourne\, Professor Finnane’s interest in Chinese urban society has led to major research projects on consumption\, with one resultant publication being the critically appraised book Changing clothes in China\, Fashion\, Nation\, History\, Sydney\, 2007. Her current research\, funded by the Australian Research Council\, concerns production and consumption in Maoist China\, with a focus on everyday life in Beijing.\nPatricia Flanagan\nDr Patricia Flanagan is a lecturer at the UNSW Art & Design and founder of the Wearables Lab\, Academy of Visual Arts\, Hong Kong Baptist University. She is also an artist who has been exhibiting internationally since the mid 1990’s\, and has won many awards\, including The Max Fabre Foundation Award for Environmental Awareness. Her work is represented in private and public collections in Australia\, Ireland\, Germany\, Canada\, Japan and China.\nGael Newton\nGael Newton is a Curatorial Consultant and Researcher in Photography\, Arts and the Humanities. She is the Foundation Photography Curator of the Art Gallery of New South Wales and the former Senior Curator of Photography at the National Gallery of Australia. Relevant publications include Picture Paradise: Asia-Pacific Photography 1840s-1940s and Garden\nof the East: Photography in Indonesia 1850s- 1940s.\nClaudia Chan Shaw\nClaudia Chan Shaw is a fashion designer\, television and radio presenter\, author and collector. She is the current curator of the City of Sydney’s Chinese New Year Festival\, and was co-host and presenter on ABC TV’s popular program\, Collectors from which came her 2012 book Collectomania: From objects of desire to magnificent obsession. \nHow to book:\n1. Book and pay online by credit card – see booking button top right.\n2. Contact us to be sent a registration form: email us at admin@taasa.org.au\, or email Jillian Kennedy at taasabookings@gmail.com\, or phone Jillian Kennedy 02 9958 7378.\nBookings and payment in advance are essential. No refunds.
URL:https://www.taasa.org.au/events/east-west-chic/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Exhibitions & Events
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00120_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20170513T100000
DTEND;TZID=Australia/Sydney:20170513T123000
DTSTAMP:20230706T033808Z
CREATED:20230705T103655Z
LAST-MODIFIED:20230706T033808Z
UID:10000232-1494669600-1494678600@www.taasa.org.au
SUMMARY:For Gods\, Kings and Ancestors
DESCRIPTION:Enjoy a morning exploring the role that ceramics have played in the ceremonial life of various Asian societies\, whether in religious or court context. Our three expert speakers will cover a wide range of topics\, with opportunity for discussion. Members are encouraged to bring in relevant ceramic objects from their own collection to share with others. \nJackie Menzies\, Emeritus Curator of Asian Art\, Art Gallery of NSW\nKorean ritual porcelain: an aesthetic of purity and grace\nA distinctive group of porcelain vessels\, restrained in form and covered with smooth\, white glaze\, was developed during the Joseon dynasty (1392-1910) to cater for the tastes of a new society which sought to see its Neo-Confucian values of frugality and understated simplicity embodied in the arts. Rituals for the state and ancestors played an important role in this new society. The preference for white porcelain was inspired not only by the new cultural tastes of the Joseon elite but also by the porcelains produced at the venerated Jingdezhen kilns in China. This talk will trace the development and purpose of white wares through the Joseon dynasty\, while showing the inspiration this great tradition has provided contemporary Korean potters. \nWendy Parker\, Designer and lecturer\, College of Fine Arts\, UNSW\nRitual Vessels in Bali: Entertaining the gods and telling tales through temple offerings\, dance and sacred heirlooms\nRitual objects associated with Balinese temple festivals are assembled using a range of materials\, constructed to represent oral traditions. Many are transient\, perishing at the end of the festival. Others are of a permanent nature made of metal or clay and stored as pusaka or heirloom objects for later use. The narratives associated with these objects have both devotional and story-telling functions\, employed in temple rituals to entertain the gods and inform the members of the community. \nAnn Proctor\, Art historian with a particular interest in Vietnam\nPolitics and War: The aesthetics of the Nguyá»…n Dynasty Court\, 1802-1945\nThe cultural importance of the Nguyen Dynasty of Vietnam has recently been re-evaluated and re-integrated into the nation’s history. The court followed a Neo-Confucian model and specific objects were produced for its use by a system of handicraft units\, where the most talented in their field were employed. A range of objects including ceramics\, bronzes\, gold\, and jades were ordered. It is astonishing that anything of value survived this tumultuous period of colonialism\, Marxism and the American- Vietnam war\, nevertheless those pieces that do so enable us to enjoy and explore the motifs and aesthetics adopted by royal taste makers of the last Vietnamese Dynasty.\nRefreshments provided. \nRSVP: Margaret White at:Margaret.artmoves@gmail.com. \nPayment:\n1. Cash at door \n2. Via this website – see booking button top right. \n3. By EFT to TAASA’s account:\nBSB: 012003\, Account No: 218528414 (please indicate ‘your name CSG’)
URL:https://www.taasa.org.au/events/for-gods-kings-and-ancestors/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Ceramics Study Group (NSW),Study Groups
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00114_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20161117T180000
DTEND;TZID=Australia/Sydney:20161117T200000
DTSTAMP:20230706T045150Z
CREATED:20230705T123253Z
LAST-MODIFIED:20230706T045150Z
UID:10000244-1479405600-1479412800@www.taasa.org.au
SUMMARY:In Praise of the Buddha
DESCRIPTION:Images of the Buddha and devotional objects are valued both for home and temple worship. Ceramics have been widely used\, providing low cost access for all to worship\, while ceramic technology has played an important part in the production of Buddhist images and devotional objects in bronze and other metalwares.\nFor this last NSW CSG meeting this year\, we have invited a number of experts to share their knowledge with the group including Jackie Menzies\, who will discuss Buddhist figures and symbols on ceramics and Wendy Parker\, who will outline the role of ceramics in the production of metalwares.\nMembers are encouraged to bring ceramic images of the Buddha and other Buddhist deities as well as ceramic objects and vessels with Buddhist associations for discussion. \nRSVP: RSVP by 14 November to Margaret White at Margaret.artmoves@gmail.com \nPayment Options: \n1. Pay at the door. \n2. Payment by EFT: \nThe Asian Arts Society of Australia \nBSB: 012-003\, Account No. 2185-28414. Please provide “your name Buddha” as a reference. \n3. Payment by credit card via this website – see Bookings button above right.
URL:https://www.taasa.org.au/events/in-praise-of-the-buddha/
LOCATION:UNSW Art & Design (COFA)\, Oxford St\, Paddington\, NSW\, Australia
CATEGORIES:Ceramics Study Group (NSW),Study Groups
ATTACH;FMTTYPE=image/jpeg:https://www.taasa.org.au/wp-content/uploads/2023/07/00096_Feature.jpg
ORGANIZER;CN="TAASA":MAILTO:bookings@taasa.org.au
END:VEVENT
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