Arts and Architecture of Northern India

Arts and Architecture of Northern India

Lucknow La Martiniere School

Arts and Architecture of Northern India

Book now for
TAASA 2026 Monday Night ZOOM

Lectures

Cost: Members $15; Non-members $25
Special price for the whole series: Members $60; Non-Members $85
Book for single lecture or whole series. Payment in advance essential. No refunds.

Lecture 1

The images and temples of Kali

Presented by Jackie Menzies

Monday, 16 March 2026

The major Hindu goddess Kali, Mistress of Time and Death, is instantly recognisable by her distinctive appearance and attributes. She is dark-skinned, emaciated, dishevelled and fearsome; she carries an unsheathed sword that alludes to her power to overcome all evil. Kali belongs to the Great Goddess (Devi) tradition that embodies shakti, the feminine energy and creativity that is the source of life.

Kali is prominently worshipped in West Bengal where the Kalighat temple in Kolkata gained fame for its Kalighat paintings. These paintings as well as other examples of Kali paintings, sculptures, prints and temples will be the subject of this talk.

Lecture 2

Awadhi style: The Indo-Islamic architecture of 18th and 19th-century Lucknow

Presented by John Zubrzycki

Monday, 20 April 2026

Lucknow’s rich architectural legacy owes much to the Nawabs of Awadh who ruled the state from 1722 until 1856. Nawabi architecture can be divided into two phases: the first towards the end of the 18th century is characterized by grandiose and stylistic buildings; the second in the nineteenth century is distinguished by the incorporation of European elements. The former style is most pronounced in the Bara Imambara built by Asaf Ud Daula in 1784, while the latter is best represented in the palace known as Constantia built by Claude Martin, an influential European in the court of the nawab in the early 19th century. Nawabi architecture adapted later Mughal characteristics to reflect the Shia religion of Lucknow’s rulers. This talk will examine the main elements of Nawabi architecture through Lucknow’s built heritage from the early 18th century until Awadh’s annexation by the British.

Lecture 3

Embellishment: the fine art of embroidery in Lucknow and Kolkata

Presented by Christina Sumner

Monday, 11 May 2026

India’s absorbing cultural traditions include acclaimed mastery in the production of an outstanding range of exquisite textiles. The Indian artisan’s legendary skills in creating beautiful fabrics include weaving itself, mordant painting and resist dyeing, block printing – and embroidery, the ornamental surface embellishment of cloth, typically with needle and thread.

Lucknow and Kolkata are home to celebrated embroidery traditions: in Lucknow, the delicate art of chikankari, meaning white work, and mukaish, the decorative insertion of metal ribbon; in Kolkata, kantha, originally signifying a poor man’s wrap, and satgaon, named for the 16th century Portuguese trading centre Satgaon.

Lecture 4

Hindu Temple Deities

Presented by Richard Barz

Monday, 15 June 2026

This talk will introduce two Hindu temples in Odisha: Konārk (13th c) dedicated to Sūrya the sun god and Lingarāja (11th c) where the god Shiva is worshipped. Konārk, a UNESCO World Heritage site, represents Sūrya’s chariot with its wheels and sides covered with superb carvings and statues, some erotic. Lingarāja, one of the magnificent temples in the city of Bhubaneshwar, is an outstanding example of Indian architecture. However, unlike Konārk, it is a functioning temple attracting great numbers of pilgrims every day: an excellent place to appreciate the vigour of contemporary Hinduism.

Lecture 5

The Rajbaris of Calcutta: Architectural and Cultural legacy of the Bengali Badralok

Presented by John Zubrzycki

Monday, 20 July 2026

The stately mansions of Bengal’s zamindars or land-owning gentry, known as rajbaris, are a syncretic mix of local and Neo-classical European styles. They can be found all over what is now the state of West Bengal but the greatest concentration is in north Kolkata (formerly Calcutta)—an area known in colonial times as Black Town. The most famous of these is the Marble Palace, still owned by the Mullick family and open to the public. It features a Neo-classical facade and Corinthian pillars and incorporates a traditional Bengali plan with open courtyards.

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